Last Year
This work is from a new series called “LAST YEAR.” The
source photographs that I am working with were taken during the protests
occurring in Hong Kong over the past few months. These images are shot using my smart-phone
then printed in black and white. I then
work by hand on the images, sanding away much of the detail then applying other
layers of colors and patterns. When
completed “Last Year” will have a total of 40 individual portraits.
This new series is important because it is the
first time I have taken current events as my subject. In general, my work always has history as its
subject… and I am specifically interested in the dynamic relationship between
individual people and the movement of history.
How people maintain their own sense of self in the midst of so many
events beyond their control is a question I am continually addressing in my
work.
I call this new series “LAST YEAR” because I am trying to see how this present moment will very soon be a past moment and understand what this means. These hopeful and energetic young people who I am representing are both present and already past. They are speaking out but will their voices be remembered? I am not speaking for them or trying to memorialize them. But rather I am interested in recording how a present moment is transformed into what we call ‘history.’
I call this new series “LAST YEAR” because I am trying to see how this present moment will very soon be a past moment and understand what this means. These hopeful and energetic young people who I am representing are both present and already past. They are speaking out but will their voices be remembered? I am not speaking for them or trying to memorialize them. But rather I am interested in recording how a present moment is transformed into what we call ‘history.’
My work is a combination of photography and drawing. The photographs I choose are all from very
specific sources- historical photographs, film stills, family snapshots, images
of objects in museums. My method of
“disrupting” these images by erasing, sanding, and overlaying random patterns
is an attempt to bring the images back to the present. By making them obscure we are forced to look
again. It is also important that my
engagement with the photograph is physical-
a movement of the haptic in the realm of the visual.


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